Showing posts with label experimental. Show all posts
Showing posts with label experimental. Show all posts

Tuesday, March 27, 2012

Human Trapped Rhythms mLP

Here’s a release from 1985 that’s so far out in left-field that it has pretty much left the ballpark. Combining industrial noise with minimal electronics, mantra-like chants and primal screams, utterly unrefined singing and creepy tape loops - all of which come together in the most barebones of musical structures - this record is less a collection of “songs” than an amateurly sinister (or sinisterly amateur?) foray into avant garde atmospherics.

Many of the tracks here are little more than synth lines over which male or female vocals sing, talk, shriek, or all of the above. Some sound a bit ridiculous and cross the terrain into simple pretension, but there are some tracks that are both stark and beautiful. “No Words” is about two or three notes played on the low end of a synthesizer, with the female vocalist slowly reciting poetic lyrics. “The Message” is the closest this record comes to an actual song, with thudding sparse industrial percussion, hints of an ominous rhythm in the background, and male vocals repeating the words “roll back… and die”. “Blood Run” is nothing more than white noise and chimes, as a cacophonic chorus of ghosts tunes their vocals.

The title track is particularly odd and interesting, awash in sampled noise and echoing laughter, child’s-toy instruments, and vocals that vaguely recall traditional British folk music. It’s a pretty strange and slightly creepy track. It kind of sounds like those brief 5-10 seconds of hushed music played at the end of horror movie trailers. You know those trailers that begin with a narrator whose vocal tone implies profundity, but whose words are cliché, bordering on inane? They start with “In a world… where there is no line… between life and death”, and then there’s a minute of action and suspense scenes. Then the trailer cuts the sound to a minimum, and a quiet, spooky song (a song quite similar to the title track on this record) is the only sound in the theater, played at a low volume to build suspense, as the camera zooms in on a lone figure in an austere room illuminated by a moonlit window, and maybe the eerie music is accompanied by vocals of a little girl with a British accent, whose otherwise innocent and sweet singing sounds vaguely evil as the shadows of dying trees dance in the moonlight, playing across the mystery figure’s visibly trembling silhouette, and the camera moves slowly but steadily closer to them, and you wonder if the figure is perhaps the singing girl, or a monster, or a figment of someone’s imagination and then the figure slowly turns, and they're revealed to be a girl in her late teens, her vacant sheet-white face glowing a ghostly blue in the moonlight and the vocals fade and all music fades aside from a lone suspenseful shimmering note and then out of nowhere BAM!!!!! a sparkling vampire grabs the figure you realize it’s a trailer for a new Twilight movie. Goddamn it.

Listen to the mLP here.

Tuesday, October 18, 2011

Friz Be: Hmm… LP

Music blogs serve as a great way to introduce people to new music, but they can also serve as a means to show that a highly coveted record is not always necessarily worth the hundreds of dollars for which it usually sells. This much-requested record may not be a case of the emperor having no clothes, but it’s certainly rather scantily dressed. That’s not to say it’s a bad record – there are definitely some good and interesting songs here – it’s just that many of the songs seem more like unfinished sketches.

Friz Be was essentially a one-man project from Sweden. This was the only record he released, back in 1981. And for a record released at that time, it certainly can be pretty adventurous and experimental. But the record is also a bit overly long – it’s 12 songs, when about 8 would have worked much better. Many will be familiar with the song “I Throw Punches”, which has floated around in mp3 form over the past few years and was recently on the bootleg “Life in the Future” album. With its blasé vocal approach and tinny electronic bursts, it’s a bit rough around the edges but is definitely a gem.

Much of side 1 sounds a bit similar, although that song is certainly the most pop-oriented this record gets. Now Is the Time is a slow, lethargic synthpop track and is probably stylistically the closest to I Throw Punches. This is the New Age is another experimental synthpop song – albeit a very unrefined one. My personal favorite track from the album is Half Brain Naked, a hypnotically monotone song that mixes acoustic guitars and slowly pulsing electronics. The song’s brevity makes one wish that a lesser track on the album were cut in order to further expand upon its mesmerizing drone.

Side 2 is almost a different album entirely, full of formless and ambient electronics that would be great background music for floating in space. While it’s interesting listening, many of the songs sound a bit too similar to one another, and the second side would certainly have benefitted from removing a track or two and further exploring the ideas of some of the stronger songs. Here We Go and Hommage Au Muzak certainly have intriguing elements, and Flying sounds like one second of a symphony trapped in time and extended across two minutes.

This record is certainly worth downloading and listening to. It just behooves the first-time listener to not expect a lost minimal synth classic. Rather, it should be listened to for what it is - an amateur but earnest experimental project that is decidedly lazy-sounding and downtempo (or no tempo at all), as if recorded on a day-long downers bender. Maybe we can call it Quaalude-wave?

Friz Be: Hmmm… LP

1981, Piglet Records

A1: I Throw Punches

A2: This is the New Age

A3: Now is the Time

A4: Brosk Conversation

A5: This is Time

A6: Half Brain Naked

B1: Lufituaeb Eb Ot

B2: Elegant but very Fast

B3: Here We Go

B4: Flower in Your Hair

B5: Flying

B6: Hommage Au Muzak


Click here to listen!


Monday, July 4, 2011

Baby Buddha + David Javelosa: Everyone is My Age LP

I meant to post this in conjunction with the recent (and absolutely impeccable) Dark Entries BART compilation, but.... well, I didn't get to it. That record featured a selection from the final Los Microwaves 7". But in some ways this LP could actually be considered the last Los Microwaves release. It's ostensibly a collaboration between Baby Buddha (who released another LP on Posh Boy in 1982, which mainly featured synthpop covers a la Silicon Teens) and David Microwave from Los Microwaves. But Baby Buddha did not actually refer to a specific person; it was a Los Microwaves side project featuring Javelosa and guests. So, confusingly, this was David Javelosa’s side project on which he collaborated with… David Javelosa (as well as all members of Los Microwaves). It's possibly the most completely eccentric LP I've heard in a long time- it blends darkwave, psychedelic rock, minimal electronics, ambient, 60s garage rock, and even a little bit of country on the endearing "Selfish Heart". It almost sounds like it could be a compilation of 8 different bands rather than the output of 4 or 5 collaborating individuals. As a result of these disparate ingredients the record can be hit or miss. But it is never boring, and there are some great songs to be found.

This record was actually recorded around 1983-1984, but was finally self-released in 1987. David Javelosa went on to become a music composer and programmer at Sega. I had the good fortune of seeing him perform at a game programmers’ conference afterparty about 6 or 7 years ago. It was held at the now-defunct Drum Machine Museum in the heart of the tenderloin in San Francisco; he was opening for Freezepop. I don't know if he actually played any of these songs (I had not heard the LP yet) but I remember being quite amazed at the ease with which he changed styles from one song to another, like a musical chameleon. His ability and proficiency in so many genres is probably why he was successful as a music programmer, with the ability to create pieces that could suit any moment in a game.

I ripped the first two songs on each side together since they mix seamlessly with each other.

Baby Buddha & David Javelosa: Everyone is My Age LP

1987, Hyperspace Music

A1 Overture

A2 Think It’s You

A3 Big Generation

A4 Do I

A5 Selfish Heart

B1 Everyone is My Age

B2 Clear Eyes

B3 Emotion II

B4 Night

B5 My Age

B6 Chantilly Lace


Click here to listen!

Sunday, March 6, 2011

Less Funny Beduins: Im Sommer Im Keller EP

This was the very first record that I purchased after I moved to New York. I had never seen it before and did not even know who the band was. The weird handwritten quasi-Arabic font on the cover was completely indecipherable, and could have said anything from Bass Fuming Berserk to Legs Falling Backwards. And since the cover was the ONLY place where the band name was written, the band's identity remained a complete mystery to me when I bought it. In fact, I did not even find out who this band was until a couple days after I purchased it, after a little bit of internet sleuthing.
The band, as it turns out, is actually called Less Funny Beduins, which I can now kind of see written on the cover, although other times I can also see it saying Lose Fucking Bedbugs, so I suppose it's a Roscharch test of sorts.
The band was from Germany and released this record on Arab Productions, a subdivision of the tiny Independance label, which released records and tapes from sought-after bands like Parchment Prayer and Modern Art.
Boss Tummy Bunnies played a dark, experimental sort of gothic post-punk. The record is full of percussion and chugging guitars similar to post punk bands like Artery or Red Zebra, atmospheric synths and strings and pianos and gloomy vocals similar to Christian Death, and weird time changes and spastic experimentation similar to NDW bands like Sprung Aus den Volken and Leben Und Arbeiten. While Leggy Funky Bearclaws may never become a household name, they definitely deserve some recognition, as this record is quite a gem. And now at least you know who they are (kind of)!

Less Funny Beduins: Im Sommer Im Keller EP
1986, Arab Prod.
A1 Mary Bell
A2 Tout Normal
A3 Arjan/Eifersucht
B1 Es Konnte Viel Bedeunten...
B2 Busho - Busho

Link removed, as the artist has the album available as mp3 downloads - and to listen to - here

Thursday, May 20, 2010

KOZMONAUT: Flieg LP

I like mysteries and secrets. I love finding an obscure record and then finding out as much as I can about it. The Eleven Pond / Pond / Red Violet trifecta (with their shared members and similar sounds) is a perfect example of a mysterious puzzle unfolding and being solved through research, tips, phone calls, and emails. Finding the frontman of Short Wave Mystery five years ago with only the first names on the back of the record cover was another high achievement in my hobby as a musical gumshoe. I would apply to become a record detective, but I don't think that job exists.
Sometimes, though, I'll discover a record that piuques my curiosity... and which completely frustrates me with its utter lack of information. Here is one such record, forwarded to me by Josh from Dark Entries (whose friend found it in a thrift store). I don't often share records I don't own, but I'm making an exception here.
This is a self-released LP, ostensibly from a German band in 1986. Ahhh, if only it was that easy. Josh's friend is German, and pointed out all the misspellings (most noticeably where it says "side swei" (even I know it's "zwei"!). OK, that's... interesting. So what? Well, there is also no GEMA copyright on the record or sleeve (although since it is DIY with silkscreened sleeves, who knows if one would have been necessary). After a bit of sleuthing myself, I located this record on an archive of US copyrights. So, perhaps this is a US-based band masquerading as a Germans? Moreover, this was found in a bin full of San Francisco new wave records - perhaps this record was released in my very own backyard, under my nose and the collective noses of the entire Bay Area?
Or are we just completely deluded in our suspicions about this release - after all, there are plenty of Americans who can't spell, so why can't there be poor-spelling Krauts? It's questions like these that drive me to find out more, more, MORE! Of course, there are no inserts. There are no personnel credits (not even on the sleeves). So, I'm sharing this record because A) it is an excellent album that's a cross between synthpop, experimental electronics, industrial, and darkwave, and B) perhaps somebody, somewhere can shed some light on this obscure, unknown release.

UPDATE:
It's been solved already, by the very person who found this in the thrift store!

He looked further into the US copyright site at http://cocatalog.loc.gov.

He found a tape release from the band, which credits "Hans Schiller".

"I looked for Hans Schiller on Discogs - he's behind all the Kode IV stuff (industrial music).
Now check out the artwork of their first self released cassette: You see the exact same lines and airplanes, and the black & white font. The lines that I thought resembled a swastika are actually the number "4". Duhhhhh. Well, the bad news is that Hans Schiller died in 1994 according to the Discogs website. His partner's name is "Peter Ziegelmeier" (another German name). It looks like he runs "Ceiba Records" on Haight Street, which I am not familar with. I guess he'd be the one to talk to... Definitely Bay Area!!!"

So, I tip my hat to a record detective who is better than I. Great work, and maybe next time I pass Cieba Records on the way up to Amoeba, I'll bug Peter Ziegelmeier!

Kozmonaut: Fleig LP
1986, Vier Productions
A1 The Mann (English Version)
A2 Flieg
A3 Tidal Meditation
B1 Die Stimme Aus Dem Universum
B2 Arabisch Nacht
B3 Einer Kleiner Walzer
B4 Lieben Ist
B5 Parademarsch

Click here to download this LP!

Help us solve this mystery!

Vinyl Magazine + Flexis

When I travel to foreign countries, I like shopping in the local stores. I'm not talking about going to the tourist traps and buying little trinkets emblazoned with the town's name, I'm talking about the little grungy bookstores, antique stores, and (of course) record stores that are part of everyday life for local collectors and afficionados. I got a good sense of Dutch culture by flipping through the Nederpop sections of each record store I visited. And it was in one store in particular that my friend and I found a small cache of cheap old Dutch Vinyl magazines, most of them complete with flexis. While I do not read Dutch (to my novice eyes, it really seems like themost impenetrable language imaginable), I loved all the old photos,ads, layouts, and upcoming live show lists. I figured that I would share my copies with the world over the nextfew posts.
I have a handful of magazines with flexis, and several flexis with no magazines. Even if you're like me and don't read Dutch,I strongly urge you to check these out. This magazine was on thecutting edge of new wave, electro-pop, and post punk in the early 80s. Each issue looks great, and it's a wonderful glimpse into the world ofDIY and indie music from almost 30 years ago. Plus, the flexis haverare and sometimes exclusive tracks, in all their crackly, tinny, lo-fi glory!

VINYL MAGAZINE ISSUE 5 (August 1981)

Cover story: Nasmak
Includes: Luc Van Acker, The Fall, Recommended Records, etc.
Flexi tracks:
Nasmak: Dishhunt (live)
Nasmak: Origins & Whereabouts (live)
Gulf Pressure: Balconi
Gulf Pressure: Extra Rialto
Gulf Pressure: No Song

VINYL MAGAZINE ISSUE 10 (January 1982)
Cover story: Malcolm McLaren
Includes: Nexda, B-Movie, Video Vinyl, Vovokai
Flexi Tracks:
Nexda: Untitled
Richard Zijlstra & Stephen Emmer: Pedalenproza

BONUS FLEXI FROM VOLUME 11:
A Flux in 3D: Divide
Cravats: Fireman

Monday, May 18, 2009

HOLY TOY - Panzer and Rabbits LP & Why Not in Choir? LP







There is always a problem when record shopping with a friend who has similar tastes - especially when shopping in a foreign land, full of records you'll never see back in your homeland, not even in a million years. Inevitably, one of you will find a record that the other covets. Jealousy and envy will rear their ugly heads. Tensions will rise. And records will be thrown at high velocity.
...Well, perhaps that's a bit of a stretch. But still, I was pretty jealous when my friend and I were shopping in Antwerp, and he came over to me, holding a copy of Panzer and Rabbits, and said "Wow, I just listened to this album by Holy Toy. Have you ever heard them?" While I HAD heard them before (and had their first album and their Soldier Toy 12"), I was only a casual fan, playing their record once in a while for background music. But in the moment that he brought the record over, it was as if I instantly became their biggest, most fanatical fan ever.
"YES I HAVE HEARD OF THEM holycrapwheredidyoufindthatrecordIhavebeensearchingforitforYEARS!"
He was... taken aback. Needless to say, he loved the record and intended to buy it. My heart sank. Sure, I was holding a stack of 30 records that I intended to buy, some of which I had been looking for for years (Nuit Blanche compilation, anyone?), but that didn't matter. I needed THIS record as if my life depended on it!
"Um... I'm gonna go listen to this record, now", he said, pulling out a Das Wesen album. I hadn't heard them before, but the cover looked cool, and I winced. Ouch, buddy, I thought as he turned to walk back to the record player. Just twist the knife deeper, why don't you?
So, in the end, I did not get the Panzer and Rabbits LP. However, within 5 minutes of our little exchange, I found a copy of Holy Toy's third album, Why Not In Choir. And my friend let me borrow his album so that I could rip it. ...let's just see if he ever gets it back. MwaHAHAHAHA!
Well, if you have ever wanted to hear the second or third albums by this highly underrated industrial darkwave post punk synth noise experimental goth band, wait no longer. They sound like early Laibach, or mid-80s In the Nursery. Dark militaristic drumbeats, extremely atmospheric noises, synths, guitars, and dark, menacing vocals make this band one of my current favorites. You can find the first album and the Soldier Toy 12" on Mutant Sounds here:


Holy Toy: Panzer and Rabbits LP
1984, Sonet Records
A1 Fresh News-Larve
A2 Last Leader
A3 Doors Of Perception
A4 Armageddon
B1 Men And Dog
B2 Travel Agency
B3 Telegram I
B4 Many Of Them
B5 Captain Bom-Bom-Bom
B6 Telegram II

Click here to download Panzer and Rabbits!


Holy Toy: Why Not in Choir? LP
1985, Sonet Grammafon AS
A1 Under Skin
A2 Medals
A3 Dr. Wood
A4 Wosh Up
A5 Zone
A6 Men At Work
B1 Pray
B2 Empty Meat
B3 Last Act
B4 From Angel To Devil
B5 Why Not In Choir

Click here to download Why Not in Choir!

Wednesday, February 18, 2009

Various Artists: Second Strike LP

By request from a couple people, here is the rare "Second Strike" LP from Turnabout Tapes. True to its name, this was mainly a tape label, but they released a couple records, including this rarity. It's the follow-up to a tape called The First Strike, which was the first release the label put out. This record was released in 1988 and limited to 867 copies (because 868 copies would have been simply too many). The music ranges from experimental to new wave, electronic, minimal wave, and industrial. The Oltre La Morte and Gundel tracks are my favorite songs here. This is very much in the vein of records that get posted to the Mutant Sounds blog, so if you're a fan of the music they share, you should appreciate this too.

Various Artists: Second Strike LP
1988, Turnabout Tapes

A1 Children Hospital Research Foundation - High Altitude Low Opening (Methodith Epithcopal God Damned Ith)
A2 Spalanzanis Töchter - Ass-ass-in
A3 Oltre La Morte - Aria Azure
A4 Seventh Day - New Wave 4'30
A5 Dino Oon - Grutinas' Ricecake
A6 Eiterschlangen - Ulmer Höh'
B1 Konrad Kraft - Don't Walk On The 5th Avenue It Could Be A Hamburger
B2 Work-Shy Brothers - In The Eye Of A Hurricane
B3 Gundel - Warum Ein Herz Zerbricht
B4 Phase Pervers - Hingabe (Janina T.)
B5 Alimentaire S.A. - Daily Dependence
B6 Temps Perdu? - Seele Spricht
B7 Spalanzanis Töchter - Ihr Kopf

Click here to download this record!

Sunday, December 14, 2008

TWO: Deaming Spires LP


Well, Phoenix Hairpins just uploaded the final 12" from this band, and I've been meaning to share this LP for quite a while, so what better time than now? I found this years ago in the $1 bin at Amoeba in SF, filed in the "D" section (for "Dreaming Spires" I suppose), and it's been a consistent favorite. There are some pops as clearance records sometimes have, but it's not bad. This was a male-female synth duo (Gill and Iain - who, I might add, are both quite attractive and hip-looking. I mean, Gill looks like pretty much half the girls I've dated in the past 5 years, and Iain looks like a skinny hip SF Mission District kid. How's that for useless information?) They were from a small town near London. This LP is pretty experimental, especially on the 15-minute "It Won't Work". This was released on Future Records, the new wave/synthpop/post punk offshoot of the punk label No Future. I think this record uses almost all electronics and bass, which is always a great combination that makes for some dark, dark music. Anyway... enjoy!

TWO: Dreaming Spires
1983 Future Records, FL 3
1. Picture Frame
2. Waiting
3. Regime
4. Architecture
5. Pale Yellow
6. End
7. It Won't Work

Click here to download the album!

Saturday, August 9, 2008

Diseno Corbusier - Perfido Encanto LP



Here is the first record from Spanish avant-garde electronic band Diseno Corbusier, and the second band with the name "D____ Corbusier" that I have featured on this blog. There were only 500 copies pressed and released in 1985 on Auxilo De Cientos, the same label that released the Twilight Ritual LP and the Terra Incognita compilations. The only source for information that I have found about this boy/girl duo was on the Thing on the Doorstop blog post of their second LP, El Alma de La Estrella. To be honest, it took me a while to get into this record, but it slowly grew on me until one listen when it just clicked and I "got it". Tape loops, odd chanted and repeated vocal noises, and loads of electronics make this a dense, but very fulfilling listen.


Track list:

1. El Grito En Su Momento
2. F*P*2
3. Meta Metalic
4. Clonica
5. Internada
6. La Fabrica No Esta Cerca
7. Gli Scolari
8. El Eco de Oran
9. Non Sense

Click here to download it.