Showing posts with label noise. Show all posts
Showing posts with label noise. Show all posts

Tuesday, March 27, 2012

Human Trapped Rhythms mLP

Here’s a release from 1985 that’s so far out in left-field that it has pretty much left the ballpark. Combining industrial noise with minimal electronics, mantra-like chants and primal screams, utterly unrefined singing and creepy tape loops - all of which come together in the most barebones of musical structures - this record is less a collection of “songs” than an amateurly sinister (or sinisterly amateur?) foray into avant garde atmospherics.

Many of the tracks here are little more than synth lines over which male or female vocals sing, talk, shriek, or all of the above. Some sound a bit ridiculous and cross the terrain into simple pretension, but there are some tracks that are both stark and beautiful. “No Words” is about two or three notes played on the low end of a synthesizer, with the female vocalist slowly reciting poetic lyrics. “The Message” is the closest this record comes to an actual song, with thudding sparse industrial percussion, hints of an ominous rhythm in the background, and male vocals repeating the words “roll back… and die”. “Blood Run” is nothing more than white noise and chimes, as a cacophonic chorus of ghosts tunes their vocals.

The title track is particularly odd and interesting, awash in sampled noise and echoing laughter, child’s-toy instruments, and vocals that vaguely recall traditional British folk music. It’s a pretty strange and slightly creepy track. It kind of sounds like those brief 5-10 seconds of hushed music played at the end of horror movie trailers. You know those trailers that begin with a narrator whose vocal tone implies profundity, but whose words are cliché, bordering on inane? They start with “In a world… where there is no line… between life and death”, and then there’s a minute of action and suspense scenes. Then the trailer cuts the sound to a minimum, and a quiet, spooky song (a song quite similar to the title track on this record) is the only sound in the theater, played at a low volume to build suspense, as the camera zooms in on a lone figure in an austere room illuminated by a moonlit window, and maybe the eerie music is accompanied by vocals of a little girl with a British accent, whose otherwise innocent and sweet singing sounds vaguely evil as the shadows of dying trees dance in the moonlight, playing across the mystery figure’s visibly trembling silhouette, and the camera moves slowly but steadily closer to them, and you wonder if the figure is perhaps the singing girl, or a monster, or a figment of someone’s imagination and then the figure slowly turns, and they're revealed to be a girl in her late teens, her vacant sheet-white face glowing a ghostly blue in the moonlight and the vocals fade and all music fades aside from a lone suspenseful shimmering note and then out of nowhere BAM!!!!! a sparkling vampire grabs the figure you realize it’s a trailer for a new Twilight movie. Goddamn it.

Listen to the mLP here.

Wednesday, March 21, 2012

The Black Box: Fetish#1 7”

Out of Australia comes this obscure and rare 7” by a band called The Black Box. Their influences are quite obvious – very Birthday Party and somewhat deathrock sounding stuff here. It’s grinding, screeching, noisy guitar rock, with vocals that seem primed for attack, drums occasionally pounded so hard you feel sorry for them, and short sax interludes. It’s actually the band’s perfect use of the sax that sets this release above so many similar “me-too” bands. The instrument goes from short aggressive bleats to tuneful melodies in the space of a few seconds. It makes both songs much more dynamic and interesting.

The record was self released in 1989 on Claude Records. There is not too much information to be found about this band – it seems they released only this 7” (although I’d certainly like to hear more if it exists) and then toiled in obscurity. It’s time to rediscover them now. This record is a bit scratchy, so excuse the static and clicks that are mainly at the beginning of each song.

Black Box: Fetish#1 7”

1989, Claude Records

Fetish#1

Poison Shadows

Click here to listen!

Monday, January 16, 2012

Basic Scream: Tales of Intoxication LP

Here’s a pretty obscure LP from the Netherlands. It’s a self-released and self-produced record from a band called Basic Scream. It’s a bit surprising that this is so unknown, since it really is the type of record that goth and deathrock fans (myself included) would enjoy. It combines noisy Swans-ish guitars with deranged Lydia Lunch-style vocals. The band used guitars that almost sound like basses, and in turn their bass guitars are so low they sound like the ominous rumblings of angry monsters. The low-end-focused sound of the music lends a heaviness to the songs that perfectly couples with the creeped-out vocals and lyrics.

There are certainly some weak points on the album. Some of the songs sound a bit too similar to each other. And although the lyrics are certainly written with an avant garde poetic approach, they can tend to be goth-for-the-sake-of-goth. The song “Springtime” starts out with a plaintive wail that exclaims “Springtime / the season of decay”, and the song “Hunt” fades out with her chanting “Life is a place / that’s forbidden to live”, while the song “An Insane Queen” is entirely about the psychotic musings of its titular subject.

Still, I cannot fault the record too much. As a whole, it works very well. Standout songs like “Hunt”, with its machine-gun tribal drumming and washes and stabs of guitars, and “An Insane Queen”, with its absolutely delirious ambiance as the song builds into a tsunami of guitar effects and pure cacophony, certainly keep the album fresh. All of the songs flow from one to the next perfectly. The music will deviate from simple, repetitive guitar lines to full-on deathrock in the space of a minute, and that variety ensures that the album is listenable throughout its duration.

Basic Scream – Tales of Intoxication LP

1986, Basic Records

A1 A Dance Of Fire

A2 On The Edge II

A3 Rites

A4 Sixty-Seven Men And Women

A5 An Insane Queen

B1 The Shadow Of Man

B2 Springtime

B3 The Hunt

B4 Requiem


Click here to listen

Monday, July 18, 2011

Caesarian Section : Incision 12”

My friend and I were in Athens on the last day of a recent vacation to Turkey and Greece and we decided to visit one last record store. That store turned out to be a goldmine compared to anywhere else we had visited – we each walked out with stacks of records after spending over 100 Euros apiece. My friend found this record and put it on the store’s turntable. The crackly intro fed into crashes of industrial percussion and a noisy mess of guitars and echoing, repetitive vocals.
“Whoa… this sounds like a fucked-up version of Danse Society”, exclaimed my friend.
He was right. It was slightly more industrial sounding, and noisier, as if Danse Society had a marathon listening session of Swans and Einsturzende Neubauten albums before recording.
New Rosary, the leading song on the EP, is a definite strong point. Voodoo Jazz repeats the formula on the previous track, but obscures the vocals, adds shrieks and yelps, and ups the ante on the psychotic percussion.
The B side is a bit less noisy, and slower-paced, but still quite good. Barb Wire Teddy is almost shoegaze in a Jesus and Mary Chain sort of noisy, effected way (but with more emphasis on atmosphere and percussion than on guitars). The final song, Fact Not Fiction, is virtually formless, with tinny percussion pushed to one side and occasional clangs of metal piercing the din of effects and delays and echoing vocals. It’s a great way to end the record, in a cocoon of completely unrefined noise. This is currently dirt cheap on discogs at the moment... I wonder if it will remain that way?

Caesarian Section: Incision 12”
1987, Incision Records
A1: New Rosary
A2: Voodoo Jazz
B1: Barb Wire Teddy
B2: Fact Not Fiction

Monday, February 7, 2011

Gluons: Gluons EP

The first time I heard this EP several years ago, it was a cheapo record I picked up on a whim the middle of a batch of Amoeba Record finds that included a bunch of gems that I had been looking for for a long time - I listened to about 30 seconds of this, thought "Huh, OK, nice" and filed it away. It was not until I rummaged through my records I wanted to part with before moving to New York that I even gave it a second thought.
I gave it a good listen, and it instantly grew. It starts with the midtempo and spacey I Enter Your Void, which, although very repetitive, contained a mix of characteristics that made me love it. The guitars were dissonant, the drums steady, and the vocals almost in the glam-punk realm. The tempo practically doubles with Miami, which mixes more of the dissonant guitars with plucking basslines and more of the glam punk vocals. But the songs on side B are really the killer tracks. By the time A Room In Your Head started, I realized that the band's strongest point is the difficult ability to take dissonant and effected guitars and slightly snotty/arty but usually perfectly clear and articulated vocals and spin them into perfect dark pop. Your Manikin Hand drove this point home, sounding like a frantic version of Joy Division sans the studio atmospherics. This record is now one of my favorites. The band was from Massachusetts and I believe this was their only release. Perhaps, sadly, the city of New Bedford was not quite ready for their arty brand of dissonant new wave.


Gluons: S/T EP
1983, Self-released
A1 I Enter Your Void
A2 Miami
B1 A Room In Your Head
B2 Your Manikin Hand



Friday, October 9, 2009

LEBEN UND ARBEITEN: Selftitled EP

Here is the selftitled 12" EP release by the German band Leben Und Arbeiten. They played an angular, aggressive form of Neue Deutsche Welle. There is often a concentration on the rhythm and drums (especially on Der Letzte Mohikaner, which sounds like a different version of Artery's "The Slide", with howls and screams in place of vocals). In fact, these guys seem to owe as much to the UK early-80s post punk bands as they do their Zickzack labelmates. Bands like Artery, This Heat, Fire Engines, and Ludus figure heavily in their sound. Discogs has them listed as "industrial" and "electro"... they really aren't. Maybe there are some industrial touches, but this is pure NDW by way of the UK. Great stuff. I don't think they released anything else beside a track or two on various compilations.

You can see a couple live songs on youtube here:



Leben Und Arbeiten: Selftitled EP
1982, ZickZack Records
A1 - Gefühl Nix Gut
A2 - Krank Mann / Krank Frau
A3 - Amanita
B1 - Der Letzte Mohikaner
B2 - Ein Tag Ist Nicht Genug

Click here to download this EP!

Wednesday, September 30, 2009

THE SHRIEK: Sex Sells EP


Here is a bit of an oddball record. It is the only release by Canadian electropunk band The Shriek, which was a duo consisting of Blair Petrie and Ben Gaylie, who later collaborated on a very underrated electropop/experimental album that you can find on Mutant Sounds. Before they delved into the realm of pure electronics, though, this duo made some very harsh, lo-fi, amateurish music as The Shriek... It starts out with the two most punk songs I have ever posted to this blog, All Fucked Up and Fuck Up. Judging by the names, you can guess how they sound, as well as their maturity level. But they are both great songs, and things get more artsy with "1980", a one-chord art punk spazout that sounds like Wire channeling NYC no wave. Side two is where the synths go into overtime, with "Lost Control", an amazing electro-punk song that reminds me of one of my all-time favorite bands, Lost Sounds. Kids is like a one-chord Wire song. The most bizarre song is Intermission, a sprawling electronic song that shifts from synths and vocoder to repetitive droney chanting from the point-of-view of aliens. And from the 2:35 point, you'd swear you were listening to a Transparent Illusion song (with loads of vocal effects, though). Overall, this is a very recommended record. I wasn't too impressed at first, but it slowly grew on me, especially side two. If there was ever a Canadian version of the Messthetics comps, this duo would be on it!

The Shriek: Sex Sells EP
1980, Rude Records
A1 - All Fucked Up
A2 - Fuck Up
A3 - 1980
B1 - Lost Control
B2 - Kids
B3 - Intermission

Click here to download this EP!

Monday, January 26, 2009

Gregory Jones & Roy Sablosky: No Imagination LP


Here is a rare LP from Roy Sablosky and the late Gregory Jones. Hailing from San Francisco, Gregory Jones was a producer and underground electronic music pioneer in the early 80s. He was the producer (and essentially the fourth member) of SF EBM/electro band Infant Bonds of Joy, whose sole LP I previously posted here. This LP is a collaboration of Jones and another musician named Roy Sablosky, about whom I know nothing. The music here is pure experimental electronic noise. It was released in 1980 on Vinyl Records (creative, no?); the only other release on that label that I know of was the Standard of Living mLP.

Gregory Jones & Roy Sablosky - No Imagination LP
1980, Vinyl Records
A1 No Moon No Mirror
A2 Intro (Summer Names)
B1 Diverted To Frankfurt (For Twelve Pulse Generators)
B2 Forced

Click here to download the record!