Showing posts with label new york. Show all posts
Showing posts with label new york. Show all posts

Tuesday, January 24, 2012

Tirez Tirez: Scattered 7”

Here is a record that will certainly please fans of early US and UK DIY post-punk. I’ve seen requests for this self-released debut 7” from Mikel Rouse’s band Tirez Tirez and after finally tracking down a copy I’m happy to share this rarity.

As indicated above, this record was self-released by the band, in 1979. Tirez Tirez initially hailed from that bastion of art-punk… Missouri. After opening for the Talking Heads there, Rouse packed his bags and moved to New York, where he found a more receptive audience. Tirez Tirez’s art-wave is extremely European sounding. Combine this with the fact that their first couple albums and singles were initially (or only) released in Europe and you’d be likely to think they were from the UK (I certainly did for several years).

This record is among the more sought-after and rare US DIY records, and for good reason. While the music on this record is a bit rough around the edges – a little lo-fi and less developed than their later material –it’s still a solid record. The A side, Scattered, is a drumless track filled with reverbed and fuzzy 60s-style guitars and almost crosses over into a “punk poetry” vein along the lines of John Cooper Clarke or early Patrik Fitzgerald. The B side, Scenery, is more accessible and full sounding, with an uptempo beat and loads of repetitive keyboards and synth lines - kind of like a less melancholy version of early Tuxedomoon. The record is certainly not everyone’s cup of tea, but fans of the raw DIY new wave of the Messthetics and Homework compilations will appreciate it.

Tirez Tirez: Scattered 7"

1979, self-released

A: Scattered

B: Scenery

Click here to listen!

Monday, June 14, 2010

Pitch: What Am I Gonna Do For Fun?

This record was written up waaaaay back in 2006 on the Italians Do It Better blog/website, but I don't think the music was ever shared. Their post explains the origins of the record and the personnel involved. The most "fun fact" about the musicians involved is that Marc Center more or less developed Macromedia (some company that released an obscure and probably unused program called "Flash"), and programmed the first licensed music for a video game (the Peter Gunn theme in Spyhunter!).
When I found this record, I didn't know what to expect - it had a nice DIY silkscreened sleeve, "synthetizers" listed as the main instruments, and a guest horn section on the B-side. The B-side is indeed a bit of a loungy number somewhere between synthpop, funk, and lounge music. In actuality, it fits pretty well with the NY no wave scene (think Elliot Sharpe and the more brass-oriented bands he was in).
The A side is the winner here, and is one of the unknown minimal synth gems that occasionally pops up out of nowhere. With completely blasse, vaguely foreign, and occasionally delay-effected spoken female vocals, random samples, a gurgling dublike synth bassline, and lazy synthesizer melodies, this sounds like a contemplative Young marble Giants during a heroin-induced trance. And I mean that in the best way possible.

Pitch: What Am I Gonna Do For Fun? 12"
1982, self-released
A: What Am I Gonna Do For Fun?
B: It's a Quest